Play Terry Riley In C
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Gatefold sleeve, with plain black inner sleeves with open window on both sides. CD housed in a plain white paper sleeve with window on front.
Sticker over shrink wrap:
"Limited edition of 1000 copies
180 gram vinyl / Including CD".
Please note that due to irregularity some copies don't have the sticker.
Composed and premiered in 1964, Terry Riley's in C is a major work in the contemporary music repertoire of the second hait of the 20th century and a pivotal moment in its history. In C is innovative in several respects - first in its structure: its score consists of 53 musical phrases, which each musician must repeat in the order in which they appear, as many times as he or she wishes.
Secondly, the set of instruments is not specified, and finally, the impetus for the performance is not given (vertically) by an orchestral conductor, but (horizontally) by the musicians listening to one another. The result is a perfectly open work, constructed in a participatory manner by the various performers together.
This unique structure influences the musical nature of the piece: In C (and this is another of its revolutionary characteristics) was the first work to offer a successful synthesis of repetition and variation. To immerse oneself in it is to experience a pulsation, a swirling fabric of sound, but different with each completed orbit.
The watchword here is playing and mutual listening; it is also to offer a series of challenges, questions and musical "maybes" that fit together in coherent beauty.
Philippe Simon
[Sides A to C]
Recorded live at the Studio des Forces Motrices, Geneva, Switzerland
On October 21st, 2021.
[Side D]
Synthesizers recorded at the Playroom / SMEM Fribourg
Korg Mono/Poly and MiniKorg 700s _ Sequential Circuits Pro-One and Prophet-5 _ Soma Lyra _ Roland JD-800 and Juno-60 _ Oberheim 08-8 _ Pin Electronics Portabella _ WEM Nightshade
Mastered [...] at La Maestà mastering Tredozio
Bernard Trontin plays Tama drums and Zildjian cymbals
www.younggods.com
Webmaster: Dominique Javet
@theyounggodsofficial
This recording is supported by the City of Geneva, the Federal Office of Culture and the Republic and Canton of Geneva.
Thank you Anya, Patrick, Alex, Bertrand and Caroline at Marlyhills - Laurent Steiert, Vincent Borcard and everybody at the Playroom / SMEM (Swiss Museum and Center for Electronic Music Instrument, Fribourg) Benedikt Hayoz and La Landwehr - Adrien and Eliane Laubscher at Archives du Futur Antérieur / Technoculture 2 - Alias Company - Peter Mettler - Ensemble Batida
WWW.TWOGENTLEMEN.NET
℗ & © 2022 The Young Gods, under exclusive license to Two Gentlemen.
Manufactured in Switzerland and in the EU.
Track times not printed on the release.
Compact Disc contains CD-Text technology.
Sticker over shrink wrap:
"Limited edition of 1000 copies
180 gram vinyl / Including CD".
Please note that due to irregularity some copies don't have the sticker.
Composed and premiered in 1964, Terry Riley's in C is a major work in the contemporary music repertoire of the second hait of the 20th century and a pivotal moment in its history. In C is innovative in several respects - first in its structure: its score consists of 53 musical phrases, which each musician must repeat in the order in which they appear, as many times as he or she wishes.
Secondly, the set of instruments is not specified, and finally, the impetus for the performance is not given (vertically) by an orchestral conductor, but (horizontally) by the musicians listening to one another. The result is a perfectly open work, constructed in a participatory manner by the various performers together.
This unique structure influences the musical nature of the piece: In C (and this is another of its revolutionary characteristics) was the first work to offer a successful synthesis of repetition and variation. To immerse oneself in it is to experience a pulsation, a swirling fabric of sound, but different with each completed orbit.
The watchword here is playing and mutual listening; it is also to offer a series of challenges, questions and musical "maybes" that fit together in coherent beauty.
Philippe Simon
[Sides A to C]
Recorded live at the Studio des Forces Motrices, Geneva, Switzerland
On October 21st, 2021.
[Side D]
Synthesizers recorded at the Playroom / SMEM Fribourg
Korg Mono/Poly and MiniKorg 700s _ Sequential Circuits Pro-One and Prophet-5 _ Soma Lyra _ Roland JD-800 and Juno-60 _ Oberheim 08-8 _ Pin Electronics Portabella _ WEM Nightshade
Mastered [...] at La Maestà mastering Tredozio
Bernard Trontin plays Tama drums and Zildjian cymbals
www.younggods.com
Webmaster: Dominique Javet
@theyounggodsofficial
This recording is supported by the City of Geneva, the Federal Office of Culture and the Republic and Canton of Geneva.
Thank you Anya, Patrick, Alex, Bertrand and Caroline at Marlyhills - Laurent Steiert, Vincent Borcard and everybody at the Playroom / SMEM (Swiss Museum and Center for Electronic Music Instrument, Fribourg) Benedikt Hayoz and La Landwehr - Adrien and Eliane Laubscher at Archives du Futur Antérieur / Technoculture 2 - Alias Company - Peter Mettler - Ensemble Batida
WWW.TWOGENTLEMEN.NET
℗ & © 2022 The Young Gods, under exclusive license to Two Gentlemen.
Manufactured in Switzerland and in the EU.
Track times not printed on the release.
Compact Disc contains CD-Text technology.
- Počet disků
- 1
- Detaily formátu
- Vinyl
- Rok vydání
- 2022
- EAN
- 7640186551397
Seznam skladeb
-
LP-A
Patterns 1 To 21
-
LP-B
Patterns 22 To 35
-
LP-C
Patterns 36 To 53
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LP-D
Patterns 1 To 26 (Synthesizer Version)
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CD-1
In C: Part 1
9:27
-
CD-2
In C: Part 2
6:08
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CD-3
In C: Part 3
7:17
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CD-4
In C: Part 4
4:29
-
CD-5
In C: Part 5
4:28
-
CD-6
In C: Part 6
6:45
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CD-7
In C: Part 7
8:04
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CD-8
In C: Part 8
5:22
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CD-9
In C: Part 9
5:52