Love Interview CD

Cues

So How The Beatles Get Involved With Cirque Du Soleil And The Making Of The Love Abum?

1

In (Ringo) Well It Came About / Out (Paul) …That Was It

0:45

How Did You See The Process At The Outset?

2

In (Ringo) We Started / Out (Ringo) …Do This Job

1:07

So, George And His Son Giles Martin Set About Not Just Remixing And Remastering, But Reconstructing The Songs. How Did The Beatles Respond?

3

In (Ringo) Well When George / Out (Ringo) …Have To Worry

1:04

So, Paul, New Technology Has Been Applied, To Produce The Love Album, Presumably, It's Helped To Show What Was There When You Recorded, But Had Been Hidden By The Limitations Of 60's Equipment?

4

In (Paul) Yeah You Know / Out (Paul) …It’s Magic

0:43

But What Of Those Who Say You Shouldn't Mess With Magic?

5

In (Paul) I Think / Out (Paul) …Hear It Clean

0:30

And Finally, Ringo, Are You Happy That Beatles Music Isn't Being Left In A "Museum"?

6

In (Ringo) You Know I Love / Out (Ringo) …Peace And Love

0:47

Was It A Spooky Feeling, George, Going Back To The Beatle's Archive And Listening To All Those Tapes Again: The Music That Changed Popular Music Forever?

7

In (George) It Was Really Emotional / Out (George) …Would Have Survived

1:05

Ok, We Have 26 Tracks To Talk About On The Love Album; Plus Of Course All The Quotes And References That Mean The Love Album Is Far More Than A Remix Or Remaster. Compiling, Adding, Editing, Mixing And Generally Adding Magic Have Been In The Capable Hands Of Not Just George Martin, Who Of Course Produced All Those Fantastic Tracks, But His Son Giles Too. Tell Us Giles How Long The Whole Thing Has Taken?

8

In (Giles) We Started / Out (Giles) …3 Years To Do

0:40

Ok, Let's Look Track By Track At The Album. Track 1 Is Because: Those Beautiful Acapella Voices. What An Opening! Have You Added Any Vocals Here?

9

In (George) No They Are / Out (Giles) …You Get Now

0:37

Track 2 Is Get Back, Except That It Seems To Start With The Opening Chord Of Hard Day's Night.

10

In (George) Well The Chord Is Based / Out (Giles) …Them Playing Live

0:30

Track 3, Glass Onion. Plus What Else, Giles?

11

In (Giles) Well Glass Onion / Out (Giles) …Groove, Glass Onion

0:21

Now, Eleanor Rigby, One Of The Best Ballads Ever. Have You Added Any Strings, George, Or Are Those Exactly As Per The Original Recordings?

12

In (George) Exactly The Same / Out (George) …They Were Both 19

0:39

Number 5 Is I Am The Warlus. A Typical John Lennon Song, Perhaps, And By No Means Simple...

13

In (George) I Am The Walrus / Out (Giles) …Than The Original

0:29

Next Up, One Of The Early Mersey Beat Songs, I Want To Hold Your Hand.

14

In (Giles) We Hadn’t Got / Out (George) …In The Studio

0:40

Drive My Car Next. Good High Spirited Stuff, George.

15

In (George) Well It’s A Dance / Out (George) …Live Recordings

0:34

Now Gnik Nus. (Try Spelling It Backwards).

16

In (Giles) Gnik Nus Is / Out (George) …Sunk In. (!)

0:36

Track 9 Is Perhaps The Finest Song George Harrison Ever Wrote, Something.

17

In (George) It Was In A Different / Out (George) …Of All Time

0:22

Number 10 Is A Medley Of For The Benefit Of Mr. Kite!, I Want You, She's So Heavy And Helter Skelter. Phew!

18

In (George) Mr. Kite! Is The Basis / Out (Giles) …Right Way To Go

0:52

And Then The Song From The Film - Help!

19

In (George) Help Of Course Was / Out (Giles) …Beatles Song

0:38

And Then Two Of The Most Haunting Songs Ever Written, By Anybody, Blackbird And Yesterday, Run Together.

20

In (George) I Always Liked / Out (George) …Originally

0:38

So What's Been Done To Strawberry Fields, Giles?

21

In (Giles) Well You Know Strawberry / Out (Giles) …Between The Different Takes

0:37

Now With Within You Without You And Tomorrow Never Knows, We Come To That Part Of George Harrison's Writing That Involved The Eastern Musical And Philosophical Influences Of Him.

22

In (George) George Was Always Experimenting / Out (George) …For Sgt. Pepper

0:33

Lucy In The Sky With Diamonds Is Track 15.

23

In (Giles) With Lucy / Out (Giles) …Old Brown Shoe

0:27

Octopus's Garden Is The Big Number For Ringo's Vocal. What's Happened Here, Then?

24

In (Giles) I Thought It Would Be / Out (Giles) …A Bit Harder

0:28

Lady Madonna Is Next. Tell Us About This Track, Giles.

25

In (Giles) With Lady Madonna / Out (Giles) …The Glue + Laughter

0:37

Another Beautiful George Harrison Song Next, Here Comes The Sun. What's Been Done To This?

26

In (Giles) We Thought / Out (Giles) ...Really Listen To It

0:28

Come Together Next. With Bits Of Cry Baby Cry, Can We Hear?

27

In (Giles) The Track, Funnily Enough / Out (Giles) …Strange Gospel Recording

0:34

Revolution Is Track 20. Did This Give You Any Problems?

28

In (Giles) Revolution Was Very / Out (Giles) …B Flat I Think

0:20

Now As We Approach The Finale, A Bit More Of That Good Beatles Beat Stuff. "Flew In From Miami Beach BOAC", The Response To Chuck Berry's Back In The U.S.A. Track 21 Is Back In The U.S.S.R.

29

In (George) The Revolution/Back In The U.S.S.R. / Out (Giles) …The Band Playing

0:21

The Show Slows Down Now, For While My Guitar Gently Weeps. Lovely Stuff.

30

In (George) The Song Itself / Out (George) …Worked Very Well

0:39

The Sequencing Of This Album, The Way The Songs Run Into Each Other, Makes It Sound Like A Beatles' Live Concert...

31

In (George) I Think The Sequence / Out (Giles) …Favourite Beatles Track

0:30

Hey Jude. One Of The Great Singalongs...

32

In (George) Hey Jude, You Know, People Cannot / Out (Giles) …Good To Hear Again

0:38

And Into The Reprise Of Sgt. Pepper, Without Hey Jude Having All That 7 Minutes We Were Used To...

33

In (Giles) Hey Jude We Didn’t Want / Out (George) …All You Need Is Love

0:21

And How Else Are You Going To End This Love Album, Or Indeed The Las Vegas Show, But With All You Need Is Love?

34

In (George) You Couldn’t Really / Out (Giles) …Just A Memory

1:01

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